Om det oändliga(English.ver)

" life does not seem to be so sure and prosperous.

Arimasa Mori (By the Streams of Babylon)

In a story, there is a protagonist who reveals what seems to be true feelings. This is what makes a story simple to understand, and is often the case in Manga. But when it comes to art, to the pursuit of an idea, it is possible to write about people and leave the audience behind. If there is a time limit to the number of pages in a work, or to the duration of a film, then a life is artificially speeded up within that limit. Perhaps it is Roy Andersson’s “Om det oändliga” that falls short. There is no narrative technique here. It seems to me that human life is a series of inorganic things, and that there is an existence in motion that others cannot see. It is not a horror, it is a comical story.

For me, the scene in which a human imitation of Jesus walks down Golgotha Hill was comical. The modern costumes, cut down to the expense of a modern opera, the farce of a narcissistic director by his side, were truly an expression of the irony of the modern artist. Or perhaps this is a fashion show for a high brand that makes you think meaningfully. It was irony at its best in this day and age, when critics will praise anything to get a sale, even a bad one, because they want a job. The dream is of a pastor who has lost his faith.

And the pastor, who drinks a glass of wine before the service, was very funny.

People’ expectations of a story begin with their perception of it in their conscious world. It requires imagination to find commonalities and differences between one’s own conscious world and the conscious world of the work, and to fill them. Next, we move on to our own ideals. It is at this point that the work is sometimes evaluated as deviating from its essence. Some people are disciplined enough to read the intentions of the work, while others judge it on the basis of whether it conforms to their own desires.

Descartes found consciousness and innate ideas, but he could not find the real mind.

Science has returned to Descartes again and again, but the real mind is still unclear, even in neuroscience. For anyone who has been able to sort out consciousness from Husserl’s establishment of intersubjectivity to Heidegger’s immanence,

If you are able to organize your consciousness from Husserl’s inter-subjectivity to Heidegger’s immanence, you may find that this film is close to what Heidegger calls “Das Man”.

There is no wise man in this world who lives in his true nature. The film portrays a man who is always buried in a world of cloudy skies and non-essentials. We expect the existence of a person who has stepped out of the world like a person who lives his true nature. One of them is the presence of a role model in the character’s ” truthfulness “.

One of them is the presence of a model student.

I think that the truthfulness is more difficult to find than love. True feelings and love are related to each other, but But they work in different ways.

For example, I have a cat, Adam, who sometimes wakes me up suddenly in the morning. I am sleepy and have a hard time, but I don’t mean to, I don’t feel obliged to, and I always get up, even if I am a little late.

I never complain, I feel that I feel that I really love him.

Love is thus unplanned. If the camera had followed the description of Adam’s embrace and the treatment of him, we would have seen love there.  But if the film stops only at my drowsy inability to wake up quickly, my true feelings seem to be exhausted. My true feelings are unreliable and uninteresting to judge in a short time.

“Om det oändliga” lacks that kind of description that we expect.

People probably assume that there is something “truthfulness” in the work, but the truthfulness is cut out.

However, they can see their own expectations in it. If we wanted to see an unbelieving pastor turn. It would be I can forgive him for drinking wine twice before the service.

That’s how much I value the Holy Family, and how little I know about my own consciousness.

It’s the opposite of what the PR people want, but it’s a place where what you want has been cut out. However, I thought it was a kaleidoscope in which I could see what I wanted in what was cut out.

I think I will continue to delve into the real heart, good and evil, and love.

A lighter version of this is on twitter, but the interpretation is subject to change.

I see it as a new kind of realism. It might be an irony for people who, in more recent years, have lost sight of the authority of the individual voice, and who are no longer able to do more than make a fuss on social media about just that. It is now only celebrities and cartoons that pretend to be conscience or good. But is it possible to enjoy a fictional world that is not so different from the real one? This world exists like a painting, a fictional world itself.

And it is realistic. People don’t think about the rest of the story that was not shown. We look at the outside world with a narrow perception, unaware that it represents so much of who we are. We don’t realism that we are living in a world that has forgotten to enrich the inner world. I don’t understand the meaning of this film because I’m not aware of it.

my lovely Adam. My little one

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